zines

While cataloging zines at the Independent Publishing Resource Center recently, I came along a pristine copy of Book Your Own Fuckin’ Life #1, printed in 1992.  While punk culture and the DIY movement was solidly established by this time, the founding edition of BYOFL can be seen as an achievement that sealed their prominence.  It illustrated that the ethics of a counterculture movement had been fully formed and realized.  It was no longer just responding and resisting, but creating an alternative.

The collaboration between Maximum Rock and Roll and Profane Existence would provide a resource guide for touring bands and traveling folks for a generation to come, including myself.  The zine was the first thing recommended to me when I first began to roam across the country – it was a great guide for places to crash long before I ever discovered couchsufing.com or was aware of WWOOF.

The first page (or two) should go straight into the DIY history books.

A few quotes:

Over the last decade and a half the world has witnessed the blossoming of one of the largest underground countercultural movements in history.  Born out of youth anger (and probably just bordem), which created the original 1977 punk explosion, this self motivated and self created movement has spread throughout the furthest reaches of industrial society.  People grown tired of pre-packaged consumer entertainment and everywhere punk has spread its “Do-It-Yourself” attitude.  Punk is a new folk music, where anyone can take part who has the desire for expression and freedom.  Communication and interaction on a personal level is the foremost goal, with production, packaging, and marketing coming secondary.  The DIY movement is vibrant and as more people, ideas, thoughts, and actions interconnect all the various aspects making it an ever-changing and growing movement. Over these past years the DIY movement has grown at an unprecedented rate, in some cases fueled by profit-making trends, but for the most part on a real grass-roots level.  The national and international communication within the DIY movement is what has kept it strong over the years.  Through the efforts of certain individual and fanzines, people have been able to make concrete connections between people of similar interests and have created an entire underground economy based on the spreading of our own living culture and ideal.  Bands have been able to promote themselves, book tours, put out records without bowing down to the corporate music industry.  That is the essence of DIY.  People helping other people without an eye for profit, only for creating a better world and having some fun…
…We feel that by breaking free from the established capitalist system we are creating freedom in our own lives.  We need the kind of global interconnections that this magazine presents the possibilities of creating.  When we take control of our immediate interests this will set an example for creating a better world.  We hope that the people who use this magazine will realize that DIY goes further than just a music “scene” and directly translates into the liberation of everyday life… Continue reading »

Feb 172009

Times are tough for “analog,” or non-digital, media these days.  Last year, Polaroid announced it was ending production of its namesake cameras and film.  As supplies run thin, many enthusiasts are racing to find the last caches of film, and paying hefty prices for them.

shuju-ocac-class2

Photo: Gretchin Lair

As personal computers make a easier and cheaper tool for self-publishing, enthusiasts are saying goodbye to another lesser-known, but equally-cherished product: Gocco.  The Gocco is a tiny printing machine brought to us by the Japanese Riso company and a favorite of DIY printmakers.  To find out more about the device and its demise, I spoke with two master Gocco printers at Portland’s Independent Publishing Resource Center, Gretchin Lair and Shu-Ju Wang.

“It’s a very easy to use silkscreen printing system that uses flash bulbs to expose pre-coated screens,” says Wang.  “You can go from artwork, through exposure and inking, to print, in 5 minutes or less. It’s also very portable and suitable for small workspaces.”  “I say the Gocco is magic!” adds Lair. “Its many geniuses include using non-toxic materials to print & clean up and the ability to print with multiple colors on the same screen (which avoids registrations hassles). ”

save_goccoFor a few years, Riso had been theatening the end of its product, and the Gocco community responded with a “Save Gocco” campaign that seemed to keep hope alive.  The Wurst Gallery, an online gallery based out of Portland, held a show at the time to raise awareness and exhibit the work of local Gocco artists.  But last Summer the last machines rolled off the line, with inks soon to follow.

I asked Lair and Wang a few more questions to see how they’re dealing with the final nail in Gocco’s coffin.

What is your favorite way to use Gocco?

Edible Gocco Crepes

Edible Gocco Crepes, Photo: Gretchin Lair

Shu-Ju Wang: I’m not sure that I can list ONE favorite way to use the Gocco, they’re all my favorites. You can do very ‘traditional’ Gocco printing — graphic images on card sized paper — this is very functional, very utilitarian. You can print a lot of greeting cards or business cards very quickly. But I also love the different ways you can expand beyond that — CMYK printing; printing over-sized prints (larger than the print bed will allow); printing with an open screen; printing on food using edible inks. I’ve used all of these techniques to create fine prints and artist’s books (well, except for the printing on food part). I’ve produced and editioned about 40 prints and artist’s books since 1999. Actually probably more. I love to teach the Gocco too. It’s always so priceless when you pull the first print and you hear everyone gasp.

Gretchin Lair: I love making cards, but I’ve probably printed on food more than I’ve printed on paper! For instance, I’ve printed a poem onto crepes for an “Edible Book Tea” party, and one year I printed a big bowl of “unnecessary” quotes onto mini pancakes for the IPRC Text Ball. Continue reading »

On this site I hope to provide reviews of a variety of publications and other work of interest to the DIY community.  If you have a zine or other related work you’d like reviewed, feel free to send a copy.

Know Your RIghts!

From the Portland Restaurant Workers Association

For my first review, I am recommending Know Your Rights!: A Restaurant Worker’s Survival Guide.  This publication was recently published by the Portland Restaurant Workers Association (PRWA), which describes itself as “a community group of workers committed to promoting Solidarity, Support, & Education among food service workers in our city.”  The PRWA also recently teamed up with the Portland Central America Solidarity Committee to offer low-cost, highly interactive Spanish Language/Conversation classes, which you can learn more about here.

The small guide makes a handy resource to refer to, whether you’re unemployed, going through the hiring process, on the job, or getting fired.  At 1/4 page size, it’s also almost small enough to store in your back pocket.

Inside, the restaurant workers who wrote the zine present some resources for employment, legal services, and heath care, both local and national.  It also offers legal information that your employer is less likely to inform you of, such as your rights to be paid, and the terms for taking leave when you or a family member has a serious health condition or is the victim of a crime.  Of particular interest to restaurant workers is the issue of tips.  The guide points out that Oregon law does not address tips and even the U.S. Department of Labor fails to enforce federal regulations in the state.  The PRWA wants to hear more from restaurant workers about their experience with tips.  You can send your story to them at contact@pdxrwa.org.

Know Your Rights!: A Restaurant Worker’s Survival Guide is available to view at the Independent Publishing Resource Center.  You can also contact PRWA at contact@pdxrwa.org to get your own copy.  They plan to hold discussion forums this year to distribute, discuss, and receive feedback about the pamphlet.

Group hug

Here in Portland there is a Tender Loving Empire. Now, this is for real. Meet Brianne and Jared Mees. A Portland couple who created Tender Loving Empire. It’s the sunshine embrace of creative power. It is all things. Are you an artist with something you absolutely must share with the world, right now? Are you a musician who wants to put your CD in a store? Are you looking for new music? Are you looking for affordable art? The perfect gift? The Tender Loving Empire just opened it’s heart to you.

Okay, but really folks. Brianne runs the retail shop. It’s a consignment store. Everything – and I mean down to the fimo robot – is handmade. Jared focuses on the record label, and he handles the screenprinting orders. The Tender Loving Empire store is in ActiviSpace on the corner of NW Lovejoy and 18th Street.

I stop by on a Monday evening at closing time. Jared is in the screenprinting studio working on a big order of orange bandannas for Oregon State University. He stacks them in a rack to dry and washes out the screen. He has band practice. His friends hang out waiting for him to finish. Brianne shows me the store. It’s full of artwork. It’s a little shop, but really, every imaginable handicraft is there. It’s all there in the Tender Loving Empire. Continue reading »

Former Portland resident Chris Arendt recently released a limited-edition zine with the paper made from a unique material: military uniform.  It wasn’t just any uniform, it was his own.
The Independent Publishing Resource Center‘s director, Justin Hocking, recently explained:

After a tour of duty as a military police officer in Guantanamo Bay, Cuba, Chris moved to Portland and became a local organizer for the Iraq Veterans Against the War. He soon found his way to the IPRC and created his first zine, “Paper Birds: Styrofoam Flowers,” which, as he puts it, explains “how one goes about becoming a concentration camp guard without ever having really made any decisions.”

The zine’s title refers to the styrofoam cups that prisoners at Guantanamo etched into with their fingernails, despite retribution, in a defiant act of creativity.  Through writing his thoughts upon what was once his uniform, Chris transformed the work into a cathartic form of art.  On recent post of his blog he describes purifying “this fabric of the whole goddamn mess. I will reintroduce the both of us, my uniform and I, back into innocence.”

Last month, Chris was on hand to present his zine at the IGLOO gallery, a space that hosts a variety of DIY projects and events of its own.  Chris was presenting his zine with Motorcycle Awesome, a developing collective of soldiers and civilians who aim to “increase awareness of wartime actions through art-making while breaking down the boundaries between soldier and civilian.”

Photo: Sarah Mirk

Recently, the styrofoam flowers story came up again, this time while Chris was having dinner with one of Guantanamo’s former prisoners.  This is because Chris is currently on tour of the United Kingdom with Moazzam Begg, who invited Chris to join him in a speaking mission to share their experiences and advocate human rights.  A portrait of their styrofoam flowers moment is captured on www.guantanamovoices.org – a website following their journey and written by Portland reporter Sarah Mirk. Continue reading »

How will you celebrate?They’ve done lots of things over the years.  Tabled at the Portland Zine Symposium and the Stumptown Comics Fest.  They also hosted their own reading series featuring many local zinesters.